Showing posts with label Read Real Good Books. Show all posts
Showing posts with label Read Real Good Books. Show all posts

Friday, November 15, 2013

Who said it? An Exercise in Historical Theology


Who said it?
Hint: the quotations are historically chronological and each one is from a different author.


1. “It has always been the custom of Catholics, and still is, to prove the true faith in these two ways; first by the authority of the Divine Canon [Scripture], and next by the tradition of the Catholic Church. Not that the Canon [Scripture] alone does not of itself suffice for every question, but seeing that the more part, interpreting the divine words according to their own persuasion, take up various erroneous opinions, it is therefore necessary that the interpretation of divine Scripture should be ruled according to the one standard of the Church’s belief.”

2. “We believe the successors of the apostles and prophets only in so far as they tell us those things which the apostles and prophets have left in their writings.”

3. “Scripture has an absolute sovereignty; it is of divine origin, even in its literary form; it governs Tradition and the Church, whereas it is not governed by Tradition or the Church.”

4. “It is clear, therefore, that Sacred Tradition, Sacred Scripture and the teaching authority of the Church, in accord with God’s most wide design, are so linked and joined together that one cannot stand without the others, and that all together and each in its own way under the action of the one Holy Spirit contribute effectively to the salvation of souls.”


5. “It is already possible to identify the areas in need of fuller study before a true consensus of faith can be achieved . . . the relationship between Sacred Scripture, as the highest authority in matters of faith, and Sacred Tradition, as indispensable to the interpretation of the Word of God.”

Hint #2: This collection of quotes inspired by the reading of Vincent of LĂ©rins and the Development of Christian Doctrine by Thomas G. Guarino.



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Thursday, June 28, 2012

A Thought for the Day



A thought for the day, from Mark Twain:

"A man who does not read good books has no advantage over the man who can't read them."

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Wednesday, September 7, 2011

Why buy a $245 Summa when you can get it for 99 cents on a Kindle?


For some time to come Loome Theological Booksellers is committed to reminding discerning readers of the many advantages that physical books have over eBooks.  eBooks get most of the good press these days (and occasionally bad press) and since the format is still new and only available on status enhancing devices, the momentum of many readers is to embrace them.  Loome Theological Booksellers is not against eBooks as much as we are FOR physical books.

Today's discussion is provoked by the suggestion here that it is better to obtain your Summa for 99 cents in the electronic format rather than for $245 in the thick five volume hardcover format.  The matter is a question of what will a physical Summa do that an electronic Summa can't.



A physical Summa will:

  • Have a physical presence on a shelf (preferably) the effects of which are varied and beneficial:
    • Raise the heart and mind to God:
      • in thanksgiving for Aquinas
      • in humility for understanding of the Summa
      • in supplication for quiet time to read and study the Summa
      • in fervor to live a life of virtue
    • Insulation - a wall of books (of which the Summa would provide a substantial part) keeps in the heat and out the cold.  We know this well from years of winters in our unheated "Great Room" at the bookstore.
    • Call to knowledge - objects that are large and heavy draw our attention.  The physical Summa draws to the intellectual life by it's quiet substantial presence.
  • Endure.  A physical Summa, because it endures, can be loaned out to . . . well, others you might know who would read the Summa.  It can be borrowed.  It can also be passed on after death.  It lasts longer than it's original owner.  It can go to Christians in Africa where there aren't eReaders.  It can be smuggled into underground seminaries.  The physical Summa has freedom, the eBook Summa is chained to an eReader.
Are these attributes of a physical Summa worth $244.01?  Can our blog readers think of any more advantages to the physical Summa?

Physical books endure - that is their value.


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Wednesday, August 31, 2011

What to Read on Vacation: A Pope's Thoughts


When the Pope comments on anything to do with reading we pay attention at Loome Theological Booksellers.  Lately the Pope spoke on vacation reading and since this weekend (at least in the States) is the last vacation weekend before the end of Summer, we thought some others would like to know what the Pope recommends for vacation reading.

He simply recommends reading the Bible.

Actually he recommends reading one of the books of the Bible straight through on vacation.

Selkirk was on a bit of an extended vacation at the time . . .

I find his recommendation a bit challenging.  When I go on vacation I want to read light reading; one of those books with chapter breaks every 8 pages; a book that doesn't require a dictionary for full enjoyment and understanding.  The Bible is hardly light reading.  However, I understand the Pope's point and I respect it.  He wants us to discover the Bible in a way we haven't before by reading one of its books straight through.  Vacations provide the time do so.  This would make vacations not simply relaxing and diverting but also an opportunity to "deepen our contact with the Eternal One".  Perhaps that's worth the challenge.

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Wednesday, August 17, 2011

4 Steps to Spiritual Reading



I tend to view spiritual books as the opportunity learn wisdom, beauty, and holiness at the feet of remarkable authors past and present.  One such author is Jean Pierre de Caussade, S.J.


"Now that you are less busied with others, spend more time in nourishing your soul with good reading.  To make this nourishment the more beneficial, let this be your method of taking it.  [1.] Begin by entering the presence of God and by begging his help.  [2.] Read softly and slowly, a word at a time, that you may interpret your subject with your soul rather than with your intelligence.  [3.] At the end of each paragraph containing a finished thought, pause for as long as it would take you to say an Our Father, or for even a little longer, to appreciate what you have read or to rest yourself and to gain interior tranquility before God.  Should this rest and tranquility last longer, so much the better; but when you notice that your attention is wandering, [4.] go back to your reading, constantly making similar pauses as you continue" (DE CAUSSADE, J.P., S.J. Self-Abandonment to Divine Providence. page 191).


It's not about how many books you read or even which ones you read.  It's about how well you read.  This is why I often say to our patrons, as I hand them their books from behind the checkout counter, "read well".

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Thursday, March 10, 2011

Why walking into our bookstore is more dangerous than virtually doing so.


A good Loome friend recently passed along this quote by Chesterton about the danger of bookshops:


It is perfectly obvious that the most respectable book-shop in the world must contain an enormous proportion of rubbish, negative or positive; of reading that is a waste of time when it is not a weakening of character; trashy rediscoveries of divine truth; cracked and crabbed continuations of hole-and-corner controversies; erotic and egotistical rants by forgotten imitators of Byron and Swinburne; blatant social panaceas and solutions of the problems of World Peace and the Gold Standard; stupid biographies of respectable people and silly autobiographies of disrespectable people. All this gas and poison is stored up on a bookshelf and in a book-shop; but this only makes the bookshop as dangerous as all the other shops. [GKC ILN Nov 24 1928 CW34:634]


I would rather like to think of our bookstore as a dangerous place to visit and browse (however I think it might be the danger of a sort different from what Chesterton means).  There aren't all that many dangerous places for respectable people to visit anymore (excepting the library and a church with the Blessed Sacrament) and some danger in one's life helps to remind him of being alive.

What do our readers think is particularly dangerous about Loome Theological Booksellers in person?


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Thursday, March 3, 2011

Here’s Another Reason Not to Watch Television



The following was originally published in the Catholic Servant newspaper.  Mr. Dale Ahlquist, the author, has graciously agreed to its being posted below.  Loome Theological Booksellers encourages all to check out more of what Mr. Ahlquist has to say at the American Chesterton Society.  And now, another reason not to watch television:


At the end of my life, when I look back, I suspect that my biggest regrets will not be all the many sins I have committed, but rather all the hours I wasted watching TV. Fortunately, these days I hardly ever watch it. Not only have I made the startling discovery that my actual life is far more interesting and that my children are far more entertaining than anything on television, but I also have found it necessary to avoid the dangers of channel-surfing and stumbling upon some ugly mug in a wing-backed chair carrying on about an obscure English writer.

However, I have not yet achieved complete purity. Over the past few years, I have watched two or three television series (on DVD). So as not to give scandal, or free publicity, I won’t mention their names. Besides, they are problematic. While I have enjoyed the communal experience of hooting and hollering at the set with my wife and others while these ongoing tele-tales have unfolded, I have also noted that our reactions have been as perplexed as they have been pleasurable.

I understand as much as anyone the importance and artistic value of car chases and large explosions, but I cannot escape the notion that these elaborately presented thrills might not be serving a higher purpose. In the increasingly high-tech battles between the good guys and the bad guys, it is still pretty obvious that the bad guys are really bad, but it is less apparent that the good guys are really that good, except for the fact that they’re against the really bad guys. But it is hard to get excited when it is not clear what is being defended.

The confusion in these light entertainments of murder and mayhem are a sign of a slightly more profound problem: moral relativism. A few days before Christmas, Pope Benedict compared the times we live in to the fall of the Roman Empire. What do these two declining civilizations have in common? “The disintegration of the key principles of law and of the fundamental moral attitudes underpinning them.” The moral consensus, said the Holy Father, is collapsing. Without it, our society cannot function. Nor can it be defended.

G.K. Chesterton saw it coming over eighty years ago. Besides seeing the early signs of a New Dark Ages in the political, economic and social chaos of the modern world, he also pointed out how the pointlessness of modern art was a telling indicator of societal decay. We’re not talking about paint splatters on canvas, but about what was supposed to be taken as serious literature. Chesterton says that a detective story may not be considered intellectual, but at least there is some moral sense to it. There is a plan, there is a purpose, there is a problem, and there is a solution. It goes somewhere. But the so-called “serious novelist,” says Chesterton, “asks a question that he does not answer; often that he is really incompetent to answer.”

In the meantime, the serious literature folks make fun of the old sentimental novel that always ended happily to the sound of wedding bells, which incidentally, ring in a church. And yet, says Chesterton, “judged by the highest standards of heroic or great literature, like the Greek tragedies or the great epics,” the old sentimental novel is was really far superior to the modern novel. “It set itself to reach a certain goal - the marriage of two persons, with all its really vital culmination in the founding of a family and a vow to God; and all other incidents were interesting because they pointed to a consummation.”

But the modern narrative has avoided both the religious vow and the romantic hope. The characters are “minutely described as experiencing one idiotic passion after another, passions which they themselves recognise as idiotic, and which even their own wretched philosophy forbids them to regard as steps towards any end.” The old sentimental novel may have been  simplified and conventional, but there was a real prize to be won: marriage. It was something fruitful.

Chesterton admits that marriage may not be the only goal in life, but the problem with the modern novels is that they seem to deny that there is any goal. “They cannot point to the human happiness which the romantics associated with gaining the prize. They cannot point to the heavenly happiness which the religious associated with keeping the vow. They are driven back entirely on the microscopic description of these aimless appetites in themselves….In short, the old literature, both great and trivial, was built on the idea that there is a purpose in life, even if it is not always completed in this life; and it really was interesting to follow the stages of such a purpose; from the meeting to the wedding, from the wedding to the bells, and from the bells to the church. But modern philosophy has taken the life out of modern fiction. It is simply dissolving into separate fragments and then into formlessness.”

What Chesterton says of modern literature is also true of television entertainment. There may be an urgency to it, and passion, but no life, because there is no coherent philosophy. It has dissolved into separate fragments, or rather, exploded into separate fragments. There is no moral cohesion because there is no moral consensus, so nothing holds together. The result is not only bad, it’s boring. 

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Thursday, December 16, 2010

Would St. Jerome have read an E-book?


Today's bibliosite is both a picture of Loome Lore and some food for thought about the E-book craze.

One one side - basic (and now ancient) contact information and hours of operation (only by appointment as the Loome family was then spending their time raising their children at the bookstore more than being open for business):



On the other side, a picture of sacred reading and a still timely admonition from St. Jerome.



I'd like to treat of just what is sacred reading and whether on open book or a turned on e-reader is more conducive to such activity.

First, notice the posture of the reader above.  It is one of openness and humility.  The reader is not even touching the book but kneels receptive and prayerful before it's open pages.  She has a fixed attention on the book.  It is as if the book is illuminating her with it's holy wisdom.

Strangely enough if we swap the book for an e-reader in the picture, it gives one the impression of idolatry - kneeling before a thin, small, electronic object.  I'm not saying reading from e-readers is anything like idolatry, just that in this picture, an e-reader in place of the book gives a very different impression.

So can one practice sacred reading with an e-reader?  First of all, what makes reading sacred?  What is sacred is set apart from what is profane.  So sacred reading must be the reading of that which is sacred.  Presumably, our reader above is reading from a sacred book, one of the books that Christians through out time have attested as worthy of reading for the Truth therein.  However, it takes more than a sacred book to make up the whole of sacred reading.  I am reminded again of the posture of our reader above, prayerful, humble and attentive.  Sacred reading also encompasses the disposition of the reader - she must be interiorly prepared to receive the word of Truth which she will encounter in the book.  Sacred book and sacred disposition must be in place to authentically undertake sacred reading.

Now, back to the e-reader.  Is an e-reader a sacred device which one needs to undertake sacred reading?  Only when there are sacred books loaded onto it.  However, profane books can just as easily be loaded onto it as well.  In this regard, a sacred book is always superior to an e-reader since a single sacred book, never changes its stripes so to speak: it is always a sacred book.  The e-reader changes it's stripes depending on the texts one reads on it.  Do readers of e-readers bring a sacred disposition to their use?  Yes and no.  Again, this depends on the texts one is prepared to read on the e-reader.  But there is nothing in the e-reader itself which invites one to a sacred disposition.  Actually, e-readers with their plastic bodies and changeable screens scream portability, mutability, and efficiency which are all antithetical to a sacred disposition to encounter grounding, eternal, and ponder-able Truth.  Here, again, the sacred book, sometimes bound in leather, but always with it's permanent cover and solid mass beckons a sacred disposition from the reader.

Therefore, I think St. Jerome would not have done his sacred reading with an e-reader.

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Thursday, September 2, 2010

Why Christians need more than a Kindle to follow Jesus


The other week while reading L'Osservatore Romano I read what amounted to a manifesto for Loome Theological Booksellers.  Happy to find the raison d'tre for our store's existence I contacted the author, Fr. Bernard Mulcahy, O.P, and asked if I could reprint it in full here.  He graciously agreed:


The Concept and History of the Book and the Library

The American essayist Joseph Epstein observes that one very interesting way to appreciate how people differ is to note that some people’s lives revolve around books, while others’ do not. The interesting difference is not between literacy and illiteracy, nor between knowing or not knowing some particular great book. It is rather that, while for most people, books are a minor or incidental activity, there are others whose way of life is practically defined by reading. Not every culture has a bookish class. Not every society has libraries. In a highly literate civilization, however, books—and developed canons of books—form a cultural bedrock for which there can be no substitute.

Today it would seem true that books and reading and libraries are changing. More precisely, however, it is the case that texts are being circulated in digital or electronic form, and that libraries and readers can make use of new technologies to great advantage. If a book is simply information, and if a library is simply an information management center, then these realities are indeed subject to sudden and dramatic technological change. In a literate culture, however, books and collections of books are more than strings of data: they are human artifacts, developed over millennia and adapted to the nature human mode of growing in wisdom. Christianity is indeed the religion of the living Word rather than “of the book,” yet, for the Church as a whole, books and the culture of literacy will remain necessary while the world lasts.

Writing, of course, is not new. Written records were kept by the ancients of Asia and the Near East. The rich and the powerful, at least, found writing useful to keep track of laws, calendars, finances, and so on. The oral traditions of people were sometimes committed to writing and preserved, surviving even into the present. Until the Christian era, however, the world had relatively few artifacts that modern people would immediately recognize as books. For reasons that remain somewhat murky, it was the literate Christians of late antiquity who showed a marked preference for the particular kind of written record that has given to us our books and libraries. In place of the scrolls, wax tablets, and inscribed stones used by earlier ages, Christians, by the fourth century of so, came to prefer the codex (plural codices), that form in which books are made down to the present day.

A codex is a stack of pages or leaves which are sewn, folded, or otherwise kept together along one edge. It has a spine or binding to support and organize the leaves, and it has pages to turn. Whether made of parchment, cloth, skins, wood, metal, or a modern paper, the codex-modeled book works a certain way, and invites certain kinds of handling, reading, and storage—that is to say, a certain kind of culture.

Hand-written, page by page, for the first ten or twelve centuries of its Western history, the codex progressively—thanks first to Asian block-printing and then to Gutenberg’s invention of moveable type—became, especially with the advent of less expensive papers, something that more and more communities and individuals could possess. With printing came the first civic libraries: Europe’s earliest, the Biblioteca Maletestiana, opened its doors to the citizens of Cesena, Italy, in the 1440s, and within a few centuries public libraries could be found across Europe and in Canada, Mexico, and the United States.

The significance of the civic or public library is manifold, and its practical and symbolic importance, especially for self-governing peoples, is not to be gainsaid. However, with the advent of the modern instantaneous media of communication—radio, television, and now the world of the Internet and digital data—the precise role of real books and real libraries (as opposed to “virtual books” and “virtual libraries”) invites serious reflection.

If we are curious about the average annual rainfall in Buenos Aires, or where Napoleon was born, or how many species of ants are found in Africa, the fastest and easiest route to satisfying our curiosity is probably at our fingertips, in the form of a computer, mobile phone, or another electronic gadget with which we may consult encyclopedic digitized resources. Also, if we are curious about current events, the daily printed and digital news media will generally be more useful than books, at least until the events are past, and someone has taken the trouble to write about them at length, in detail, and with the perspective gained by the passage of time.

The paramount advantages of books (that is, of real, written or printed codices) and libraries (the real, and not the “virtual” kind) are not in their ability to give a fast, short answer to a sudden question. Rather, the advantages of books and libraries are to be found in their tangible physicality, in their ability to be handled and to be entered, respectively. A book, more than a scroll or even a scrolling electronic text, is a manageable, portable, permanent (but not impervious) object that is unsurpassed for the literate human activities of reference, research, and repetitive reading, all of which turn mere reading into study. Decently printed, it remains legible and stable for decades or centuries. And, if you lose your book, at least you have not lost your library or your €300 electronic investment.

A library, similarly, is more than an ethereal hub for data: it is, to our advantage, a place suited and reserved for the particular humane activities of reading and study. Allowing for variety and individual tastes, we may still say that some places with books are good libraries, and others are bad libraries (or not really libraries), precisely insofar as they foster the human attitudes and behavior that are consistent with reading and, more profoundly, with growth in wisdom. Wisdom, unlike data or information, does not come naturally to human beings except slowly, gradually, and laboriously. We need to hear words again and again, if we are to plumb their depths and be changed by them. There are silent lessons in libraries, reminders that circumspection, docility, caution, and memory are all needed for prudent understanding: bare information is, in serious reading, not enough.

For the life of goodness and holiness, neither books nor libraries are necessary in the strict sense. Simplicity or circumstance may put study beyond our reach, or Providence place it outside our vocation. Prodigious memory, too, can be a substitute for books, if one hears what it truly worth hearing: thus St. Athanasius says of St. Anthony of Egypt that he retained all he heard of the Scriptures, the liturgy, and the fathers, and so his memory “served him in place of books.” For those with the ability to use books and libraries, and without either the perfect memory or the perfect seclusion of an Anthony, it is the case that books become very important indeed. Even libraries and bookcases themselves become sensible signs of the truth and of the high vocation to caritas in veritate. St. Epiphanius, a Palestinian monk and later bishop of Cyprus, took the view that acquiring Christian books was not merely helpful but “necessary for those who can use them. For the mere sight of these books renders us less inclined to sin, and incites us to believe more firmly in righteousness.” Our age’s new technologies do offer immense advantages in certain kinds of information-seeking endeavor: for those whose lives are centered upon books, let alone upon the contemplation of the Word and His Truth, however, the familiar book and the library, set apart, remain the unsurpassed treasury and instruments of intellectual culture, and necessary implements for the service of the truth.

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Thursday, April 22, 2010

From Loome Bookseller to Farmer - More

Meet the Dowells.



A couple posts ago I mentioned the Dowells and today I discovered the Catholic Spirit has a lengthy and meaty article about them.  Let me just say that I know where they go to get many of the books that inspire them - Loome Theological Booksellers.  Read some part of some book every day and you just might must read yourself into the family farm life.

Saturday, January 9, 2010

The Art of Adaptation

Movie adaptations of beloved books always seem to be a touchy endeavor. Book lovers are often torn between curiosity in seeing their favorite characters on screen and anxiety over the prospect of their favorite bits cut out.

Filmmakers and the screenwriters who adapt the book must struggle as well. Hew too close to the original book, and you risk ruining the movie. Take too many liberties, and you risk ruining the book.

Imagine what it must be like for the author.

NPR recently ran a series of stories interviewing authors whose books have been adapted into movies.

Jon Ronson, author of The Men Who Stare at Goats, expanded upon the tension between a writer and the screenwriter who has been tasked with adapting the book for film.

"I bumped into [the screenwriter] one time when he was writing [the screenplay], in a Starbucks in central London," Ronson says with a laugh. "I swear when he saw me walk in, the blood drained from his face. ... Obviously, you know, the last thing in the world he wanted was for me to go up to him and ask him how it was going. Which I immediately did."

Sixteen weeks later, [the screenwriter] sent Ronson a finished screenplay.

"And I loved it — and then everything thawed," Ronson says. "Everything was OK."


All three of the authors who were interviewed said they were pleased with the finished film. Walter Kirn, author of Up in the Air, talked about distancing himself from the process of adaptation by viewing the book and movies as two separate creatures.

"There are two different forms of storytelling: Novels tend to come from the inside of a character and movies tend to look at them from the outside in relation to others in their world. And so, I fully understood that for this book to make it onto film it had to be sort of opened up, unfolded. And for me to worry over that process, scrutinize it too closely or take it personally would only retard the freedom with which the writer/director was able to do that. So I sat back, let it happen. And the finished product, though it bears the distinct genetic imprint of the book, is quite different in some details and yet I am entirely pleased with it."
If anything will make book lovers cry foul, it's major changes to plot or characters. Kirn said he didn't mind such changes.

"If they'd filmed the novel completely faithfully, it would've been a lot of voiceover and a lot of the shots of planes crossing the sun."
To solve this problem, the screenwriter introduced a new character to open up the script to interplay and dialogue.

For Lynn Barber, author of An Education, sometimes the small changes were the most intriguing. For example, the movie adaptation of her book shifted the setting of the story from 1960 to 1961.

"I was very interested in that. And, in fact, the production designer and the producer explained it to me. And in 1960, England, to all intents and purposes, looked exactly the same as England in the 1950s. It was incredibly drab. There was a lot of bomb damaged. There was no glimmer of fashion in the streets. Whereas in 1961, you're just beginning to get the birth of the '60s, I mean still not really. But - and I think the art director told me that you got more colored cars in 1961. And before that, a street would have entirely consisted of dark green and black dull-looking cars. And it would have just looked dull and drab, you know."


I recently finished Evelyn Waugh's opus, Brideshead Revisited. I am in the process of watching two adaptations: the 2008, feature-length Hollywood remake and the 1981, 11-hour BBC saga.

The BBC miniseries is an acclaimed adaptation with a reputation of being faithful to Waugh's text. The 2008 Hollywood remake... not so much. Although I must say, I am eager to see Michael Gambon and Emma Thompson as Lord and Lady Marchmain, respectively.

I'm curious, what are your thoughts on movie adaptations of books?

Thursday, November 19, 2009

All My E-Tailers

Independent booksellers have been watching the ongoing book price war with a mixture of horror, opportunism and amusement. Let us recap.

Last time, on All My E-Tailers...

Walmart is jealous of Amazon's success and beauty. It lowers the price of hot, November book releases to $10.00 hoping to lure customers into it's cheapened embrace. Amazon, no shrinking violet, responds by matching the price. Walmart stoops to $9.00. Amazon straightens its hair, puts on some lipstick and matches the price. Target, feeling the need for a love triangle, jumps into the plot. $8.99... $8.98...

Meanwhile...

The American Booksellers Association smells treachery afoot. It complains to the U.S. Justice Department about predatory pricing. Wily independent booksellers waste no tears crying over the hordes of customers who will flee to the arms of the big E-Tailers. They plot to buy up the massively discounted books and turn a tidy profit. The Big Three fire back by restricting the number of discounted books a customer can buy. All the while, the doting publishers, who raised their books to have dignity and self-esteem, worry the books will be devalued by fickle customers.

We choose to view all this with amusement. Most independent booksellers are unhappy with the price war, but some are not concerned. In a recent article by the Pittsburg Post Gazette, one independent bookseller explained.
The way Richard Goldman sees it, his independent Mystery Lovers Bookstore and the big retailers that happen to sell books aren't close to being on the same page.

"Our customers are not their customers," he said... "For some people, price is important, and I respect that, totally. For some, ambiance is an important thing, supporting your local businesses," said Mr. Goldman, who runs the cozy Oakmont shop with his wife, Mary Alice Gorman.
Independent booksellers can also offer a level of customer service the retail giants can't. The 1998 romantic comedy, You've Got Mail, pits an independent bookseller, Kathleen, against the big box retailer, Fox Books. (And yes, she falls in love with the dashing CEO of Fox Books.) An excerpt from the movie script:
A woman browsing, stops a sales person.
WOMAN SHOPPER: Do you have the "Shoe" books?
SALESPERSON: The "Shoe" books?  Who's the author?
WOMAN SHOPPER:I don't know.  My friend told me my daughter has to read
the "Shoe" books,so here I am.
KATHLEEN: Noel Streatfeild.  Noel Streatfeild wrote Ballet Shoes
and Skating Shoes and Theater Shoes and Movie Shoes...
(she starts crying as she tells her)
I'd start with Skating Shoes, it's my favorite, although
Ballet Shoes is completely wonderful.
SALESPERSON: Streatfeild.  How do you spell that?
KATHLEEN: S-T-R-E-A-T-F-E-I-L-D.
WOMAN SHOPPER: Thank you.
As she walks away.
KATHLEEN: (to herself) They know nothing, they know absolutely nothing.
We field similar requests at our store.
"I'm looking for a book on St. Damien of Molokai. I read in in the 1960s, and it had a green cover."

"Certainly, might it be Damien the Leper by John Farrow?"
This is why we choose to view the price war with amusement.

Saturday, October 17, 2009

La Bella Biblioteca

We, here at Loome Theological Booksellers, are fans of real books. We've proselytized on the virtues of real, physical books and the vices of generic e-books. (Curse you, Kindle!)

Let's chalk one up for real books:

A hitherto unknown painting by Leonardo da Vinci has emerged from obscurity. La Bella Principessa was a portrait originally thought to be of 19th Century, German origin. Through digital imaging and fingerprint analysis, experts have attributed it to Leonardo da Vinci.

The portrait was Leonardo's only work painted on vellum, which was commonly used to bind books. The painting was commissioned as the cover for a book of poetry dedicated to the young woman in the painting, Bianca Sforza.

That's a book I'd like to have on my shelf.

Friday, September 25, 2009

Real Books Necissitate Real Bookstores



Once upon a time a library was where one could expect to find real books. By real books I mean those objects that contain printed pages bound between covers. However, while libraries rush to embrace the electronic screened word, WIRED published an article about how the king of the screened word, Google, is making way for more real books. That's good news for real bookstores.

The video about Northshire Bookstore's use of the Espresso Book Machine demonstrates how real books will always require real bookstores (or at least real bookish places), of which we have two: Loome Theological Booksellers and Chestnut Street Books wherein one will find thousands of real books, whether from the private libraries of scholars, pastors, and priests or from an Espresso Book Machine (maybe in a couple years . . . maybe), for many years to come.

Friday, September 11, 2009

"Sucks to your ass-mar," Cultural Literacy!

The New York Times recently ran an article titled "A New Assignment: Pick Books You Like." It examined an educational approach known as the reading workshop:

For years Lorrie McNeill loved teaching To Kill a Mockingbird, the Harper Lee classic that many Americans regard as a literary rite of passage.

But last fall, for the first time in 15 years, Ms. McNeill, 42, did not assign Mockingbird — or any novel. Instead she turned over all the decisions about which books to read to the students in her seventh- and eighth-grade English classes at Jonesboro Middle School in this south Atlanta suburb.
The results were predictable. Some students wallowed in young adult chick lit. A few challenged themselves with authors like Ernest J. Gaines and Toni Morrison.

This debate has been around for some time. Do you force students to read the classics in the hope that they'll develop critical faculties and a refined literary taste? Or do you allow them to read whatever they want, be it Twilight or Finnegans Wake, in the hope that they'll develop a ravenous love of reading?

Minnesota Public Radio waded into the fray this week on the show Midmorning. One of their guests was Nancie Atwell, a junior high English teacher and the author of The Reading Zone: How to Help Kids Become Skilled, Passionate, Habitual, Critical Readers.

Atwell is a proponent of fostering a love of reading by allowing students to choose their own books. She argued children need to practice reading voraciously before they can enjoy the classics. They need to build up fluency, stamina, confidence and taste before they can tackle Jane Eyre.

Atwell gave the example of one of her female students. Initially, the girl chose to read Twilight by Stephanie Meyer. Throughout the year, Atwell nudged the student toward increasingly difficult books. By the end of the academic year, she had read 40 books. When the student looked back on the Twilight series, she commented to Atwell that those books paled stylistically in comparison to her two favorites: A Tree Grows in Brooklyn and The Poisonwood Bible.

Yet questions about the reading workshop remain. Are you sacrificing cultural literacy? Are you sacrificing the shared experience of a class studying a common text? Who will be left to shout "Sucks to your ass-mar!" on the playground if no teacher has assigned Lord of the Flies?

After indulging in a little navel-gazing, I can see a similar situation played out in my own reading history. As a teenager, I devoured young adult fiction such as The Enchanted Forest Chronicles and Harry Potter. It wasn't until high school and then college that I started reading literary classics for pleasure. I may have developed my love reading by consuming lighter fare, but I needed something to nudge me toward more substantive reading. In fact, the first literary classic I loved was Fahrenheit 451--assigned to me in sophomore English class.

Thursday, September 3, 2009

Requiescat in Pace, Reading Rainbow



Reading Rainbow
, a 26-year stalwart on PBS, came to an end last week. NPR ran a fitting obituary citing the cause of Reading Rainbow's demise:

"The series resonates with so many people," says John Grant, who is in charge of content at WNED Buffalo, Reading Rainbow's home station...

Grant says the funding crunch is partially to blame, but the decision to end Reading Rainbow can also be traced to a shift in the philosophy of educational television programming. The change started with the Department of Education under the Bush administration, he explains, which wanted to see a much heavier focus on the basic tools of reading — like phonics and spelling.
The Department of Education wants children's television to focus on a noble and worthy purpose--how to read. Yet there are numerous children's shows on television that already do this--Sesame Street, Blues Clues, Wordworld, etc.

Reading Rainbow focused on fostering a love of reading--why kids should read. It had found its niche purpose. This was evident from the show's fanciful title sequence and imaginative opening song. (See video above.)
Butterfly in the sky, I can go twice as high,
Take a look, it's in a book — Reading Rainbow ...

Try getting that song out of your head. Three of Loome's staff members were born the same year Reading Rainbow debuted on the air. We grew up with the adventures of host LeVar Burton and book reviews given by bibliophilic children.

We must trust the love of reading will come just as naturally without LeVar Burton to guide the way, but it's a shame to say farewell to a show that fostered that nascent love in children. As Scout Finch, the heroine of To Kill a Mockingbird said, "Until I feared I would lose it, I never loved to read."

Thursday, July 30, 2009

Real Books and Myopic Kindle


Real books are better than Kindle, by far, really far. By real books I mean the physical (2 covers and paper pages in between them with printed words) book. The real book is found on shelves in the living room, the reading room, the study, the hearth room, the classroom, the pastor’s office, and the library. The contents of many real book are now available on Kindle. However, we handle books daily that will realistically never ever be scanned for Kindle and these are important books. They are important for at least two reasons. First off they are important for their content. We handle wildly obscure books with scholarly substance (like this one: The Union of Uzhorod). Secondly, they are important for their provenance. Eight years ago we handled 50 or so books from Tolkien’s personal library. Most of them contained his signature. Several of them contained his extensive notes. Kindle could never reproduce the individualized copies of books like these. It mass produces generic copies of books. Kindle is for readers what Wal-Mart is for shoppers – generic and of low quality.

All of this demonstrates that Kindle tends to Reading Myopia. Kindle circumscribes the reader’s world to what can be mass produced. Real books tend to Reading Sophia. Real books put you in touch with real people and real history and if read well, lead to wisdom.