Friday, November 15, 2013
Who said it? An Exercise in Historical Theology
Thursday, June 28, 2012
A Thought for the Day
A thought for the day, from Mark Twain:
"A man who does not read good books has no advantage over the man who can't read them."
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Wednesday, September 7, 2011
Why buy a $245 Summa when you can get it for 99 cents on a Kindle?
For some time to come Loome Theological Booksellers is committed to reminding discerning readers of the many advantages that physical books have over eBooks. eBooks get most of the good press these days (and occasionally bad press) and since the format is still new and only available on status enhancing devices, the momentum of many readers is to embrace them. Loome Theological Booksellers is not against eBooks as much as we are FOR physical books.
Today's discussion is provoked by the suggestion here that it is better to obtain your Summa for 99 cents in the electronic format rather than for $245 in the thick five volume hardcover format. The matter is a question of what will a physical Summa do that an electronic Summa can't.
A physical Summa will:
- Have a physical presence on a shelf (preferably) the effects of which are varied and beneficial:
- Raise the heart and mind to God:
- in thanksgiving for Aquinas
- in humility for understanding of the Summa
- in supplication for quiet time to read and study the Summa
- in fervor to live a life of virtue
- Insulation - a wall of books (of which the Summa would provide a substantial part) keeps in the heat and out the cold. We know this well from years of winters in our unheated "Great Room" at the bookstore.
- Call to knowledge - objects that are large and heavy draw our attention. The physical Summa draws to the intellectual life by it's quiet substantial presence.
- Endure. A physical Summa, because it endures, can be loaned out to . . . well, others you might know who would read the Summa. It can be borrowed. It can also be passed on after death. It lasts longer than it's original owner. It can go to Christians in Africa where there aren't eReaders. It can be smuggled into underground seminaries. The physical Summa has freedom, the eBook Summa is chained to an eReader.
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Wednesday, August 31, 2011
What to Read on Vacation: A Pope's Thoughts
When the Pope comments on anything to do with reading we pay attention at Loome Theological Booksellers. Lately the Pope spoke on vacation reading and since this weekend (at least in the States) is the last vacation weekend before the end of Summer, we thought some others would like to know what the Pope recommends for vacation reading.
He simply recommends reading the Bible.
Actually he recommends reading one of the books of the Bible straight through on vacation.
Selkirk was on a bit of an extended vacation at the time . . . |
I find his recommendation a bit challenging. When I go on vacation I want to read light reading; one of those books with chapter breaks every 8 pages; a book that doesn't require a dictionary for full enjoyment and understanding. The Bible is hardly light reading. However, I understand the Pope's point and I respect it. He wants us to discover the Bible in a way we haven't before by reading one of its books straight through. Vacations provide the time do so. This would make vacations not simply relaxing and diverting but also an opportunity to "deepen our contact with the Eternal One". Perhaps that's worth the challenge.
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Wednesday, August 17, 2011
4 Steps to Spiritual Reading
I tend to view spiritual books as the opportunity learn wisdom, beauty, and holiness at the feet of remarkable authors past and present. One such author is Jean Pierre de Caussade, S.J.
"Now that you are less busied with others, spend more time in nourishing your soul with good reading. To make this nourishment the more beneficial, let this be your method of taking it. [1.] Begin by entering the presence of God and by begging his help. [2.] Read softly and slowly, a word at a time, that you may interpret your subject with your soul rather than with your intelligence. [3.] At the end of each paragraph containing a finished thought, pause for as long as it would take you to say an Our Father, or for even a little longer, to appreciate what you have read or to rest yourself and to gain interior tranquility before God. Should this rest and tranquility last longer, so much the better; but when you notice that your attention is wandering, [4.] go back to your reading, constantly making similar pauses as you continue" (DE CAUSSADE, J.P., S.J. Self-Abandonment to Divine Providence. page 191).
It's not about how many books you read or even which ones you read. It's about how well you read. This is why I often say to our patrons, as I hand them their books from behind the checkout counter, "read well".
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Thursday, March 10, 2011
Why walking into our bookstore is more dangerous than virtually doing so.
A good Loome friend recently passed along this quote by Chesterton about the danger of bookshops:
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Thursday, March 3, 2011
Here’s Another Reason Not to Watch Television
The following was originally published in the Catholic Servant newspaper. Mr. Dale Ahlquist, the author, has graciously agreed to its being posted below. Loome Theological Booksellers encourages all to check out more of what Mr. Ahlquist has to say at the American Chesterton Society. And now, another reason not to watch television:
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Thursday, December 16, 2010
Would St. Jerome have read an E-book?
Today's bibliosite is both a picture of Loome Lore and some food for thought about the E-book craze.
One one side - basic (and now ancient) contact information and hours of operation (only by appointment as the Loome family was then spending their time raising their children at the bookstore more than being open for business):
On the other side, a picture of sacred reading and a still timely admonition from St. Jerome.
I'd like to treat of just what is sacred reading and whether on open book or a turned on e-reader is more conducive to such activity.
First, notice the posture of the reader above. It is one of openness and humility. The reader is not even touching the book but kneels receptive and prayerful before it's open pages. She has a fixed attention on the book. It is as if the book is illuminating her with it's holy wisdom.
Strangely enough if we swap the book for an e-reader in the picture, it gives one the impression of idolatry - kneeling before a thin, small, electronic object. I'm not saying reading from e-readers is anything like idolatry, just that in this picture, an e-reader in place of the book gives a very different impression.
So can one practice sacred reading with an e-reader? First of all, what makes reading sacred? What is sacred is set apart from what is profane. So sacred reading must be the reading of that which is sacred. Presumably, our reader above is reading from a sacred book, one of the books that Christians through out time have attested as worthy of reading for the Truth therein. However, it takes more than a sacred book to make up the whole of sacred reading. I am reminded again of the posture of our reader above, prayerful, humble and attentive. Sacred reading also encompasses the disposition of the reader - she must be interiorly prepared to receive the word of Truth which she will encounter in the book. Sacred book and sacred disposition must be in place to authentically undertake sacred reading.
Now, back to the e-reader. Is an e-reader a sacred device which one needs to undertake sacred reading? Only when there are sacred books loaded onto it. However, profane books can just as easily be loaded onto it as well. In this regard, a sacred book is always superior to an e-reader since a single sacred book, never changes its stripes so to speak: it is always a sacred book. The e-reader changes it's stripes depending on the texts one reads on it. Do readers of e-readers bring a sacred disposition to their use? Yes and no. Again, this depends on the texts one is prepared to read on the e-reader. But there is nothing in the e-reader itself which invites one to a sacred disposition. Actually, e-readers with their plastic bodies and changeable screens scream portability, mutability, and efficiency which are all antithetical to a sacred disposition to encounter grounding, eternal, and ponder-able Truth. Here, again, the sacred book, sometimes bound in leather, but always with it's permanent cover and solid mass beckons a sacred disposition from the reader.
Therefore, I think St. Jerome would not have done his sacred reading with an e-reader.
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Tuesday, September 28, 2010
Thursday, September 2, 2010
Why Christians need more than a Kindle to follow Jesus
The other week while reading L'Osservatore Romano I read what amounted to a manifesto for Loome Theological Booksellers. Happy to find the raison d'tre for our store's existence I contacted the author, Fr. Bernard Mulcahy, O.P, and asked if I could reprint it in full here. He graciously agreed:
Thursday, April 22, 2010
From Loome Bookseller to Farmer - More
Saturday, January 9, 2010
The Art of Adaptation
Filmmakers and the screenwriters who adapt the book must struggle as well. Hew too close to the original book, and you risk ruining the movie. Take too many liberties, and you risk ruining the book.
Imagine what it must be like for the author.
NPR recently ran a series of stories interviewing authors whose books have been adapted into movies.
Jon Ronson, author of The Men Who Stare at Goats, expanded upon the tension between a writer and the screenwriter who has been tasked with adapting the book for film.
"I bumped into [the screenwriter] one time when he was writing [the screenplay], in a Starbucks in central London," Ronson says with a laugh. "I swear when he saw me walk in, the blood drained from his face. ... Obviously, you know, the last thing in the world he wanted was for me to go up to him and ask him how it was going. Which I immediately did."
Sixteen weeks later, [the screenwriter] sent Ronson a finished screenplay.
"And I loved it — and then everything thawed," Ronson says. "Everything was OK."
All three of the authors who were interviewed said they were pleased with the finished film. Walter Kirn, author of Up in the Air, talked about distancing himself from the process of adaptation by viewing the book and movies as two separate creatures.
"There are two different forms of storytelling: Novels tend to come from the inside of a character and movies tend to look at them from the outside in relation to others in their world. And so, I fully understood that for this book to make it onto film it had to be sort of opened up, unfolded. And for me to worry over that process, scrutinize it too closely or take it personally would only retard the freedom with which the writer/director was able to do that. So I sat back, let it happen. And the finished product, though it bears the distinct genetic imprint of the book, is quite different in some details and yet I am entirely pleased with it."If anything will make book lovers cry foul, it's major changes to plot or characters. Kirn said he didn't mind such changes.
"If they'd filmed the novel completely faithfully, it would've been a lot of voiceover and a lot of the shots of planes crossing the sun."To solve this problem, the screenwriter introduced a new character to open up the script to interplay and dialogue.
For Lynn Barber, author of An Education, sometimes the small changes were the most intriguing. For example, the movie adaptation of her book shifted the setting of the story from 1960 to 1961.
"I was very interested in that. And, in fact, the production designer and the producer explained it to me. And in 1960, England, to all intents and purposes, looked exactly the same as England in the 1950s. It was incredibly drab. There was a lot of bomb damaged. There was no glimmer of fashion in the streets. Whereas in 1961, you're just beginning to get the birth of the '60s, I mean still not really. But - and I think the art director told me that you got more colored cars in 1961. And before that, a street would have entirely consisted of dark green and black dull-looking cars. And it would have just looked dull and drab, you know."
I recently finished Evelyn Waugh's opus, Brideshead Revisited. I am in the process of watching two adaptations: the 2008, feature-length Hollywood remake and the 1981, 11-hour BBC saga.
I'm curious, what are your thoughts on movie adaptations of books?
Thursday, November 19, 2009
All My E-Tailers
Last time, on All My E-Tailers...
Walmart is jealous of Amazon's success and beauty. It lowers the price of hot, November book releases to $10.00 hoping to lure customers into it's cheapened embrace. Amazon, no shrinking violet, responds by matching the price. Walmart stoops to $9.00. Amazon straightens its hair, puts on some lipstick and matches the price. Target, feeling the need for a love triangle, jumps into the plot. $8.99... $8.98...
Meanwhile...
The American Booksellers Association smells treachery afoot. It complains to the U.S. Justice Department about predatory pricing. Wily independent booksellers waste no tears crying over the hordes of customers who will flee to the arms of the big E-Tailers. They plot to buy up the massively discounted books and turn a tidy profit. The Big Three fire back by restricting the number of discounted books a customer can buy. All the while, the doting publishers, who raised their books to have dignity and self-esteem, worry the books will be devalued by fickle customers.
We choose to view all this with amusement. Most independent booksellers are unhappy with the price war, but some are not concerned. In a recent article by the Pittsburg Post Gazette, one independent bookseller explained.
Independent booksellers can also offer a level of customer service the retail giants can't. The 1998 romantic comedy, You've Got Mail, pits an independent bookseller, Kathleen, against the big box retailer, Fox Books. (And yes, she falls in love with the dashing CEO of Fox Books.) An excerpt from the movie script:The way Richard Goldman sees it, his independent Mystery Lovers Bookstore and the big retailers that happen to sell books aren't close to being on the same page.
"Our customers are not their customers," he said... "For some people, price is important, and I respect that, totally. For some, ambiance is an important thing, supporting your local businesses," said Mr. Goldman, who runs the cozy Oakmont shop with his wife, Mary Alice Gorman.
We field similar requests at our store.A woman browsing, stops a sales person. WOMAN SHOPPER: Do you have the "Shoe" books? SALESPERSON: The "Shoe" books? Who's the author? WOMAN SHOPPER:I don't know. My friend told me my daughter has to read the "Shoe" books,so here I am. KATHLEEN: Noel Streatfeild. Noel Streatfeild wrote Ballet Shoes and Skating Shoes and Theater Shoes and Movie Shoes... (she starts crying as she tells her) I'd start with Skating Shoes, it's my favorite, although Ballet Shoes is completely wonderful. SALESPERSON: Streatfeild. How do you spell that? KATHLEEN: S-T-R-E-A-T-F-E-I-L-D. WOMAN SHOPPER: Thank you. As she walks away. KATHLEEN: (to herself) They know nothing, they know absolutely nothing.
"I'm looking for a book on St. Damien of Molokai. I read in in the 1960s, and it had a green cover."This is why we choose to view the price war with amusement.
"Certainly, might it be Damien the Leper by John Farrow?"
Saturday, October 17, 2009
La Bella Biblioteca
Let's chalk one up for real books:
A hitherto unknown painting by Leonardo da Vinci has emerged from obscurity. La Bella Principessa was a portrait originally thought to be of 19th Century, German origin. Through digital imaging and fingerprint analysis, experts have attributed it to Leonardo da Vinci.
The portrait was Leonardo's only work painted on vellum, which was commonly used to bind books. The painting was commissioned as the cover for a book of poetry dedicated to the young woman in the painting, Bianca Sforza.
That's a book I'd like to have on my shelf.
Friday, September 25, 2009
Real Books Necissitate Real Bookstores
Friday, September 11, 2009
"Sucks to your ass-mar," Cultural Literacy!
The results were predictable. Some students wallowed in young adult chick lit. A few challenged themselves with authors like Ernest J. Gaines and Toni Morrison.
For years Lorrie McNeill loved teaching To Kill a Mockingbird, the Harper Lee classic that many Americans regard as a literary rite of passage.
But last fall, for the first time in 15 years, Ms. McNeill, 42, did not assign Mockingbird — or any novel. Instead she turned over all the decisions about which books to read to the students in her seventh- and eighth-grade English classes at Jonesboro Middle School in this south Atlanta suburb.
This debate has been around for some time. Do you force students to read the classics in the hope that they'll develop critical faculties and a refined literary taste? Or do you allow them to read whatever they want, be it Twilight or Finnegans Wake, in the hope that they'll develop a ravenous love of reading?
Minnesota Public Radio waded into the fray this week on the show Midmorning. One of their guests was Nancie Atwell, a junior high English teacher and the author of The Reading Zone: How to Help Kids Become Skilled, Passionate, Habitual, Critical Readers.
Atwell is a proponent of fostering a love of reading by allowing students to choose their own books. She argued children need to practice reading voraciously before they can enjoy the classics. They need to build up fluency, stamina, confidence and taste before they can tackle Jane Eyre.
Atwell gave the example of one of her female students. Initially, the girl chose to read Twilight by Stephanie Meyer. Throughout the year, Atwell nudged the student toward increasingly difficult books. By the end of the academic year, she had read 40 books. When the student looked back on the Twilight series, she commented to Atwell that those books paled stylistically in comparison to her two favorites: A Tree Grows in Brooklyn and The Poisonwood Bible.
Yet questions about the reading workshop remain. Are you sacrificing cultural literacy? Are you sacrificing the shared experience of a class studying a common text? Who will be left to shout "Sucks to your ass-mar!" on the playground if no teacher has assigned Lord of the Flies?
After indulging in a little navel-gazing, I can see a similar situation played out in my own reading history. As a teenager, I devoured young adult fiction such as The Enchanted Forest Chronicles and Harry Potter. It wasn't until high school and then college that I started reading literary classics for pleasure. I may have developed my love reading by consuming lighter fare, but I needed something to nudge me toward more substantive reading. In fact, the first literary classic I loved was Fahrenheit 451--assigned to me in sophomore English class.
Thursday, September 3, 2009
Requiescat in Pace, Reading Rainbow
Reading Rainbow, a 26-year stalwart on PBS, came to an end last week. NPR ran a fitting obituary citing the cause of Reading Rainbow's demise:
"The series resonates with so many people," says John Grant, who is in charge of content at WNED Buffalo, Reading Rainbow's home station...The Department of Education wants children's television to focus on a noble and worthy purpose--how to read. Yet there are numerous children's shows on television that already do this--Sesame Street, Blues Clues, Wordworld, etc.
Grant says the funding crunch is partially to blame, but the decision to end Reading Rainbow can also be traced to a shift in the philosophy of educational television programming. The change started with the Department of Education under the Bush administration, he explains, which wanted to see a much heavier focus on the basic tools of reading — like phonics and spelling.
Reading Rainbow focused on fostering a love of reading--why kids should read. It had found its niche purpose. This was evident from the show's fanciful title sequence and imaginative opening song. (See video above.)
Butterfly in the sky, I can go twice as high,Try getting that song out of your head. Three of Loome's staff members were born the same year Reading Rainbow debuted on the air. We grew up with the adventures of host LeVar Burton and book reviews given by bibliophilic children.
Take a look, it's in a book — Reading Rainbow ...
We must trust the love of reading will come just as naturally without LeVar Burton to guide the way, but it's a shame to say farewell to a show that fostered that nascent love in children. As Scout Finch, the heroine of To Kill a Mockingbird said, "Until I feared I would lose it, I never loved to read."
Thursday, July 30, 2009
Real Books and Myopic Kindle
Real books are better than Kindle, by far, really far. By real books I mean the physical (2 covers and paper pages in between them with printed words) book. The real book is found on shelves in the living room, the reading room, the study, the hearth room, the classroom, the pastor’s office, and the library. The contents of many real book are now available on Kindle. However, we handle books daily that will realistically never ever be scanned for Kindle and these are important books. They are important for at least two reasons. First off they are important for their content. We handle wildly obscure books with scholarly substance (like this one: The Union of Uzhorod). Secondly, they are important for their provenance. Eight years ago we handled 50 or so books from Tolkien’s personal library. Most of them contained his signature. Several of them contained his extensive notes. Kindle could never reproduce the individualized copies of books like these. It mass produces generic copies of books. Kindle is for readers what Wal-Mart is for shoppers – generic and of low quality.
All of this demonstrates that Kindle tends to Reading Myopia. Kindle circumscribes the reader’s world to what can be mass produced. Real books tend to Reading Sophia. Real books put you in touch with real people and real history and if read well, lead to wisdom.